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It is impossible for us at Heil Sound to know what settings will sound best on your voice, in your station environment, with your microphone, for your interest (DX, Contest work, rag-chewing, or maximum fidelity) The recommendations below are just starting points; listen to yourself in a separate receiver (with its antenna disconnected) to determine what sounds best in your unique situation. If you want to cut some low end, you notch -20 dB at 100 Hz. NOW - DO NOT FORGET TO SAVE these by holding the menu button for 3 seconds. TS 2000Set Menu #21 (TX EQ) to H for DX work, or leave it at C for local rag-chewing; set Menu #22 (Bandwidth) to 3000 Hz. Boosting 2400 Hz 8 dB. Wide is 2.9 kHz. A friend of mine wrestled with his FTdx101D and PR-781 for a week. *Pin 1 also carries voltage for the electret elements used in Icom mics. AF4RK. I also agree with W3DBB in regards to some of the modern day audio. Click hereto view pinout information for hundreds of rigs, mics, and connectors. KG4TGP. Turn the Clarify/VFO knob to set this bandwidth of 2-28 (200-2800). Now, I am not telling you that this is the end all. You then know exactly how you sound to the outside world. You can listen through headphones through the monitor but I have always found it better to listen through headphones through a second receiver while transmitting into a dummy load. Nice to see this. We have explained one filter. In almost all cases when a person using a newer radio had RF in his audio we were able to eliminate the RF by removing the jumper wire. The mid frequency is very important. ALWAYS remember to hold the MENU button for about 3 seconds to save any of these needed items. For most, roll off the low end by setting the first filter at 200 Hz. Heils Amateur Radio specific microphones (non-3 pin XLR) have a 1 F capacitor installed. These rigs use a three-band parametric . These had no microphone preamplifier, it was built into the microphone. Problem solved. Options abound as how to tweak transmit audio to a precise sound. These are our recommendations. If you need any help, we are glad to assist you with writing your article based on the information you supply. For digital signals, Audacity works the same way. In other words, the lower number seems to have a lower Q, so the filter affects more frequencies. Why buy a PR series mic if you are going to restrict the bandwidth from 200-2800 then roll off all the lows? for different settings and have multiple transmit profiles for quick access. This project involves a management team of volunteers who each take a topic of interest and manage it with passion. If you are using our high output iC element (Pro Set iC, Pro set Plus iC, Pro Set Elite iC, Handi Mic iC, or the iCM via the HSTA-K8 adapter cable), tap [1] to select HIGH Mic Gain, and tap [2] to set the Mic Bias to the ON option. That should move your bass setting up 100hz. Another reminder: the FTdx-3000 Menus have two sets of mic equalizer settings. Yep, see what Yaesu says. Please submit any Amateur Radio related news or stories that you would like to see, here on eHam.net. The iCOM 718 is a terrific value. The iC elements have a lot of output to drive the early iCOM rigs. A Parametric EQ usually has only 3 filters. One thing Bob said that makes a lot of sense. My guess is Yaesu will assist with their hand mic but you'll be on your own with the Heil . For headsets, use the AD-1-K for connection to the front panel mic jack. Do not confuse this with receiver bandwidth response. The 200-Watt "D" (Deluxe, fully equipped) as well as the 400-Watt . The first low frequency filter removes all of that low end bass that destroys so many signals. View and Download Yaesu FT-950 operating manual online. Set EQ3 Frequency to 2100 Hz, EQ2 Level to +10, and EQ3 Bandwidth to 2. Notch or Boost. Compression level, it turns out, is no greater than 5-10 dB. The first thing to set is the frequency that you need to affect. I would try 200 - 2800 first. . I swapped out the mic cable with RG-174 and connected the mic cable's braid to the 8-pin connector's shell instead of the mic ground pin. I use the RA200 with an Icom 7300 and get great results with no "dog house" box. Again, these are necessary starting points for operation, and it should be noted that, when using the HC-6, HC-7, and HC-5.1 elements, the equalizer may be left at its default setting of 0 across the board, since equalization is already taking place in the mic element itself. For best results please consult your manual. I ultimately traced it to the headset's mic cable having inadequate shielding (spiral-wrapped fine stranded wire that provided perhaps 70% coverage instead of a braided or aluminized mylar shield). But we quickly found that our sound was more easily tweaked with the parametric approach than with the all the sound boards we had previously had. FT-920Menu U-59 (TLSB): +100 for DX, +150 for Contest work, -100 for rag- chewing.Menu U-60 (PROC LSB): +100 for DX, +150 for Contest work, -100 for rag- chewing.Menu U-62 (T USB): +100 for DX, +150 for Contest work, -100 for rag- chewing.Menu U-63 (PROC USB): +100 for DX, +150 for Contest work, -100 for rag- chewing.Menu U-51: Set to OFF initially.1: Mid- and high-frequency emphasis.2: High-frequency emphasis (DX/Contest setting).3: Low- and high-frequency emphasis, dip in middle.4: Wide broadcast setting. Several Kenwood rigs have DSP and other settings that will allow the operator to adjust the response of the radio to your speech input from the microphone. Why not just buy a Goldline series mic and use a GM5 element and save a ton of money? Menu Q4 (or Q6, depending on the version of 706) gives you the ability to shift the filter passband, much like IF Shift on receive. Rag chewers HATE a contest sound and a rag chewer sound doesn't work in a pileup. "Set filter one to 200 Hz. On the GM-4 and GM-5, use only the Narrow element, as the Wide element has too much bass response for this rig. I've had a number of requests to shoot a video series about the Yaesu FT-710 AESS (Acoustic Enhanced Speaker System), similar to my FTdx10 series. Sometimes i`m asked how to adjust the EQ settings of Yaesu rigs. dumb question as audio is not my real bag - but, does any of this pertain to my usage of the Yaesu md100 mic? On Yaesu FTDX 3000 (and similar radios), please try the following settings for the compressed mic menus, which are 159 to 176 on the FTDX3000: P-EQ1 FREQ 200 (adjust the low bass freq center point in Hz. If you need any help, we are glad to assist you with writing your article based on the information you supply. Do you work lots of DX and contests, or do you like to hang out on 75 meters and have long ragchews with local buddies? Once he taught me how it all worked, my main challenge was trying to explain to my bandmates where the dozens of "sliders" had gone from our Main and Monitor EQ feeds. As for the suggestion of a 1000 Hz boost, seeing how male voices center around 500 Hz and females around 700 Hz, there's little to be gained there. In the menu go to Radio Settings. In the 1990's, when the equalizer rigs started to appear, it became apparent many SSB signals could be copied on the diode (AM) detector. Many calls a day come through the Heil Sound facility with RF issues. ); in this case, set the MAIN: MIC SEL selection to RP (Rear Panel). I would like to hear from anyone that has duplicated this process. Yaesu Parametric EQ Bob Heil, K9EID INITIAL SETTING OF THE FT 950 and HEIL microphone First, you need to set the transmit bandwidth. Download . Transceivers are well over $1000 as the normal. The FTDX-9000D features unmatched close-in dynamic range, flexible selectivity choices due to its advanced 32-bit DSP filtering, a high-resolution TFT display, and high power:. Our new cable CC-1 XLR-BAL (with an ORANGE, not traditional Yellow boot) connects our balanced output microphone into the balanced input and has solved 100% of the RF issue for so many FT 950 as well as other new model Yaesu users. You can make a recording of audio at any stage in the chain and replay it to see if you can demodulate it. If you set this first filter frequency to 200Hz. YOU have to make the final decision by listening to your own signal. Option 3 frequently sounds the best, but each option does different things to different voices. Well written and thank you for sharing. Please read pages 35-36, and page 60, of the K3 Operating Manual, in particular, for more details of these subjects. RE: Setting Up The YAESU FT-950 TX EQ; I used my Yaesu FT950 with the MD-1 mic which I had set on position 2. First, you need to set the transmit bandwidth. However, the settings are identical, in principle, to those found in the discussion below for the FT- 920. Investing in outboard gear has become common place. The resistors can be added inside of the battery box for a clean installation. At least that is how my radio works.I think the article explains it the other way. Set up all the EQ settings to the Heil recommended settings even if you are NOT using his mics. Suddenly, there were just 3 pots! The same button turns the Compression On or Off also is used to adjust the Transmit Bandwidth Filter. Quickly tap it for the other. For instance, with my Kenwood TS-2000: it produces a lot of harmonics and sub-harmonics which, when you make a boost around 1kHz, it tends to also make a boost at 500Hz and 2kHz, and those frequencies are very conducive to SSB communications. You can adjust the parameters of the microphone audio. We have notched some low end out by setting the transmit bandwidth in the beginning then with the EQ, we reduced some low end (menu 091) and this is always a major problem. They unbalance that 8 pin round mic connector input with their typical Pin 8, pin 7 connections. 8-pin Modular (IC-703/706/2000/7000)Pin 4: PTTPin 5: Microphone GroundPin 6: Microphone In*Pin 7: Ground. Oddly, the word gain doesn't appear in the text. "Set filter one to 200 Hz. To accommodate the low-gain Icom designs, Heil Sound developed a high-quality condenser element, called the iC (for iCOM) in our products designations, that provides the optimum frequency response, impedance, and (most importantly) sufficient gain to drive these earlier rigs. eHam.net is a community web site for amateur (ham) radio operators around the world. The K3 also has an ESSB mode, with a wider transmitted bandwidth for high fidelity operating. Sincerely 73 de Clinton Herbert, AB7RG. A narrow receiver bandwidth impairs your ability to get the full picture. I have noticed on my FT-950 that the Q of the filters appears to correlate with the BW number. The 7300 is a terrific value. After some time i found a nice adjustment for my FTDX101/FTDX5000 and a MD-100 for casual rag chew. Set the TX BW to 400 -2600Hz for DX/Contest work. A Parametric EQ is just as the term implies. The Yaesu FTDX 1200 TX eq and processor setup guide "How's my audio" is commonly heard throughout the HF Bands these days. :) The Elecraft operation manuals are the best in the business and we highly recommend you read them thoroughly before making any adjustments or operating the transceivers. However, the Mic Pre Amp on the iC 718 has down in gain by -15 dB. Orders only: Toll Free: 877-739-2449 Land Line: 845-889-4253 [email protected] W2IHY Technologies Inc. 19 Vanessa Lane, Staatsburg, NY 12580 CQ Region 21 Dealer.